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monday improvisers session
fri. mar. 29 2019
universität für musik und darstellende kunst wien, elak / institut für komposition und elektroakustik, gottwaldsaal
vienna/Austria

opening of the auditorium of rotting sounds
program:
reinhold friedl: die suche nach dem original: vom verfall elektroakustischer musik – lecture
klaus filip: dust a bit – opto-acoustic installation
till bovermann: buffer manipulations – live coding performance
mario de vega: suspension – for quadraphonic system, tape, objects and self-made electronics

at the bankettsaal of the university of music and performing arts vienna
anton-von-webern-platz 1, 1030 wien, austria

the auditorium is open after 7pm with the following works on display:
angélica castelló: magnetic room – objects and sound installation
klaus filip: dust a bit – opto-acoustic installation
juliana herrero and thomas grill: antenna – sounding object
martin howse: enrichment and depletion – installation
nicole krenn and thomas grill: fields of haze – audiovisual installation
mario de vega: intermission – sounding object
till bovermann and almut schilling: cd-r(ot) – sound installation
… and other works and experimental setups of the project team thomas grill, till bovermann and almut schilling, together with tobias leibetseder.

live events in the auditorium during the opening:
angélica castelló: magnetic litany – performance
charlotta ruth: intervention
dario sanfilippo: phase transitions – multi-channel electroacoustic performance

workshop with martin howse on circulation/corruption:
28.3., 09:30 to 17:30 and 29.3., 09:30 to 13:00
at the senatssitzungsraum (aw l0123) and the whole campus.

the rotting sounds project is a cooperation between the university of music and performing arts vienna, the university of applied arts vienna and the academy of fine arts vienna, funded by the austrian science fund (fwf).

link: https://rottingsounds.org/category/threads/auditorium , https://www.facebook.com/events/391420328283062/