opening of the auditorium of rotting sounds

fri 29.03.2019 universität für musik und darstellende kunst wien, elak / institut für komposition und elektroakustik, gottwaldsaal

program: reinhold friedl: die suche nach dem original: vom verfall elektroakustischer musik – lecture klaus filip: dust a bit – opto-acoustic installation till bovermann: buffer manipulations – live coding performance mario de vega: suspension – for quadraphonic system, tape, objects and self-made electronics at the bankettsaal of the university of music and performing arts vienna anton-von-webern-platz 1, 1030 wien, austria the auditorium is open after 7pm with the following works on display: angélica castelló: magnetic room – objects and sound installation klaus filip: dust a bit – opto-acoustic installation juliana herrero and thomas grill: antenna – sounding object martin howse: enrichment and depletion – installation nicole krenn and thomas grill: fields of haze – audiovisual installation mario de vega: intermission – sounding object till bovermann and almut schilling: cd-r(ot) – sound installation … and other works and experimental setups of the project team thomas grill, till bovermann and almut schilling, together with tobias leibetseder. live events in the auditorium during the opening: angélica castelló: magnetic litany – performance charlotta ruth: intervention dario sanfilippo: phase transitions – multi-channel electroacoustic performance workshop with martin howse on circulation/corruption: 28.3., 09:30 to 17:30 and 29.3., 09:30 to 13:00 at the senatssitzungsraum (aw l0123) and the whole campus. the rotting sounds project is a cooperation between the university of music and performing arts vienna, the university of applied arts vienna and the academy of fine arts vienna, funded by the austrian science fund (fwf).

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